B Whole Tone Scale on Double Bass

Play the B Whole Tone scale on Double Bass with fingerboard diagrams that map the pattern across the neck. The Whole Tone scale has 6 notes per octave and belongs to the symmetric family.

2 of Double Bass's 4 open strings belong to B Whole Tone: A (the flat 7th), G (the flat 6th). The E and D strings fall outside it, and B is not available open. Open, the strings cover E1 to G2.

Weightless and dreamlike — six equal whole steps with no leading tone, so nothing pulls anywhere. Blurry, floating, and faintly unsettling, like a dream sequence.

Heard in: Impressionist piano (Debussy's "Voiles"), Thelonious Monk's runs, dream-sequence film cues, and the augmented and 7#5 chords it fits in jazz.

Double Bass is bowed, with a bare fingerboard and no fixed stops, so this is really a double-stop study: two strings at a time speak cleanly, and the full stack is rolled rather than sounded at once.

Each position shows the scale notes and their intervals from the root so you can connect the shape to its sound, hear it with audio playback, and practice it in any register. Movable patterns let you transpose the same fingering to other keys once it is learned.

Once a position is under your fingers, link the B Whole Tone scale to the chords it harmonizes and to progressions in the key of B to start improvising and writing with it. Working a scale alongside its chords is the fastest way to make it stick and to hear how it colors a progression.